Press
“heartbreakingly beautiful, with melodies that stop the listener in [their] tracks”
– Hartford Courant
“Mosher does for music what Renoir has done for art”
– JazzReview.com
“graceful, generous, lyrical…a musical odyssey well worth embarking upon”
– Blog Critics Magazine
“one of the year’s most impressive debuts”
– All About Jazz
“strong, well crafted, highly arranged, listenable, and accessible music”
– All Music Guide
“a gifted composer who offers a fresh and updated approach”
– All About Jazz
“ambitious, thoroughly composed music”
– Ottawa Citizen
“an organic updating of what might once have been termed Third Stream music”
– Time Out New York
JazzReview.com Interview
He reflects about the recording, “Ironically, we started with ‘Farewell, Goodbye’ which is the closer on the album. The idea, which ended up working, was to ease into the day by recording 2-3 less demanding tracks, than dig into the more challenging material, blended with less demanding tracks in between.”
– read full interview
Full-Length Articles
- All Music Guide – Michael G. Nastos
- All About Jazz – Troy Collins (New York, NY)
- Pin Kushion – Fabrice Fuentes (Paris, France) – translation, view French version
- The One Seat – Sam Sadigursky (New York, NY)
- All About Jazz – Eyal Hareuveni (New York, NY)
- Midwest Record – Chris Spector (Lake Zurich, IL)
- Hartford Courant – Richard Kamins (Hartford, CT)
- Jazz Review – Susan Frances (Mequon, WI)
- Ottawa Citizen – Peter Hum (Ottawa, Canada)
- Audiophile Audition – John Henry (Oregon, US)
- BC Music – Jordan Richardson
- Jazz.com – Mark Saleski
- Jazz Review – Dave Wayne (Mequon, WI)
